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"Very much indeed. But her faults are obvious, and I like you too. I have said more to you of her than I have ever yet said to human being; why, I know not, because you are (comparatively speaking) a stranger to me, whilst she is my very good friend. Yet so it rests. You will, I know, keep faith with me." It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how—— The whole scene is at an end. A life has been saved. And they two, Mona and Geoffrey, are once more alone beneath the "earnest stars.".
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Conrad
"Eh! you don't mean to say that after all my devotion you would then refuse me?" asks Mr. Darling, with some disgust. Mona tries to say something,—anything that will be kind and sympathetic,—but words fail her. Her lips part, but no sound escapes them. The terrible reality of the moment terrifies and overcomes her. "'I feel that I am happier than I know,'" quotes he, softly, folding her closely to his heart. A terrace runs all along one side of the house, which is exposed to view from the avenue. And here, with a gaunt but handsome greyhound beside her, stands a girl tall and slim, yet beautifully moulded. Her eyes are gray, yet might at certain moments be termed blue. Her mouth is large, but not unpleasing. Her hair is quite dark, and drawn back into a loose and artistic coil behind. She is clad in an impossible gown of sage green, that clings closely to her slight figure, nay, almost desperately, as though afraid to lose her..
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